Haseena Parkar' survives the curse of a clunky lead (Review)

Film: "Haseena Parkar"; Director: Apoorva Lakhia; Cast: Shraddha Kapoor, Siddhanth Kapoor, Priyanka Setia, Ankur Bhatia, Rajesh Tailang, Rating: ****

If only Haseena Parkar didn't suffer from the curse of clunky, inept, shoddy central performance, it would have been a far more watchable potboiler on gangsterism. And I use the word "potboiler" with all due respect. It's not easy to make a massy masala movie out of the mayhem and murkiness of the mafia kingdom.

Rahul Dholakia's "Raees" earlier this year wedded crime and kitsch. Apoorva Lakhia does it with a fair share of elan and chutzpah.

"Haseena Parkar" is about that Dubai-based gangster who allegedly ran his nefarious business activities in Mumbai through his sister in the 1990s.

The brother and the sister had themselves a blast.Fortuitously, Lakhia doesn't miss Da-wood for the trees.

The carefully charted journey of Haseena Parkar secretes enough enigma mystery intrigue dread uncertainty fear and blood to keep us watching for two hours.

Fasahat Khan shoots the shoot-outs and the volatile shindigs in shades of sinister death. For better or for worse, Lakhia keeps the pacing frenzied, almost ruinously so. Barely are the characters given a chance to breathe their frustration and rage into a system that is so corrupt it fosters criminality.

The uneven pacing pumped up with a pounding background score clearly indicates the director's massy intentions. And no harm in that. If only Lakhia's principal lead had insight into what she was supposed to do.

Shraddha Kapoor slides cluelessly through the various lies and lives of Haseena Parkar with a complete absence of inner conviction. Her performance is so surface-level, I wondered if I've seen a more sorry instance of miscasting in recent times.

The unknown actress (Priyanka Setia), who plays the public prosecutor in the interestingly constructed courtroom scenes, effortlessly steals every frame from the female lead. Haseena's lawyer, played by Rajesh Tailang, is equally compelling. And Ankur Bhatia as Parkar's husband is suitably filmy flamboyant and fleeting in his brief role. The rest of the teeming cast barely gets a chance to register in the bloodsplattered storytelling.

Shraddha's Haseena is a whiney, self-important, delusional trouble-shooter. Siddhant Kapoor's Dawood is better, more roundly shaped probably because the actor is required largely to speak on the phone to a sister whom he repeatedly extends a helping hand, and not in the way other siblings do.

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