Audio Interface Market Research Depth Study and Gross Margin Analysis till 2023

Author: Akash Sangshetti

Market Scenario:

The companies such as Focusrite plc (U.K), PreSonus Audio Electronics, Inc. (U.S.), Universal Audio (U.S.), Zoom Corporation (Japan), Steinberg Media Technologies GmbH (Yamaha) (Germany), Behringer (MUSIC Group IP Ltd.) (the Philippines), are the leading providers of audio interface in the market. In 2015, PreSonus Audio Electronics, Inc. has introduced audio interface and studio command center in the market. It is integrated with advanced monitor mixing, advanced studio recording, command center, managing speaker switching and talkback. Thisaudio interface is widely used for recording music and podcasts, video post-production for sound design, recording voice-overs and others.

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The increasing demand of semiconductors and upgraded processors are prompting the market growth of audio interface as it is widely used in manufacturing these audio interfaces. The advantages of audio interface which give it an edge over other contemporary interfaces are it enables maximum processing versatility, improved audio engine, high-quality modules, comprehensive broadcast, zoomable graphical user interface and others, which is boosting the market growth to the large extent. The audio interface are of low cost, smaller size, higher performance, and others.

The global audio interface market is expected to grow at USD ~206 Million by 2023, at ~8% of CAGR between 2017 and 2023.

Global Audio interface Market Segmentation

The global Audio Interface Market is segmented on the basis of component, types, end users and region. The component segment is sub-segmented into hardware, software, solutions and others. The types is segmented into universal serial bus, firewire, musical instrument digital interface, thunderbolt and others. The application is segmented into professional, amateurs and others. The region includes North America, Europe, Asia Pacific and the rest of the world.

Key Players:

The prominent players in the global audio interface market are – Focusrite plc (U.K), PreSonus Audio Electronics, Inc. (U.S.), Universal Audio (U.S.), Mackie (LOUD Technologies Inc.) (U.S.) Zoom Corporation (Japan), Roland Corporation (Japan), Steinberg Media Technologies GmbH (Yamaha) (Germany), Behringer (MUSIC Group IP Ltd.) (the Philippines), Mark of the Unicorn (U.S.), M-Audio (U.S.), IK Multimedia US, LLC (Italy), RME (Germany), Solid State Logic (UK), Tascam (TEAC) (U.S.), ESI Audiotechnik GmbH (Germany), Audient (U.K) and among others.

Regional Analysis

The regional analysis of audio interface market is being studied for region such as Asia Pacific, North America, Europe and Rest of the World. North America is one of the leading regions across the world in terms of market share as it is gaining huge demand due to its best balance of sound quality, dynamic range, conversion latency and others. The audio interface market in Europe region is expected to witness a rapid growth in the forthcoming period. Whereas, Asia Pacific countries like China, Japan and India is an emerging market for audio interface market and expected to reflect the highest CAGR in the coming years.

Intended Audience

  • Audio interface companies
  • Audio interface providers
  • Audio interface distributors
  • Research organizations
  • Professional service providers
  • Audio interface providers
  • Research and development companies
  • Market research and consulting firms
  • Solution providers
  • Technology standards organizations
  • Technology investors
  • System Integrators

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TABLE OF CONTENTS

LIST OF TABLES

TABLE 1 AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 2 AUDIO INTERFACE MARKET, BY TYPE

TABLE 3 AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 4 AUDIO INTERFACE MARKET, BY REGION

TABLE 5 NORTH AMERICA AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 6 NORTH AMERICA AUDIO INTERFACE MARKET, BY TYPE

TABLE 7 NORTH AMERICA AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 8 U.S. AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 9 U.S. AUDIO INTERFACE MARKET, BY TYPE

TABLE 10 U.S. AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 11 CANADA AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 12 CANADA AUDIO INTERFACE MARKET, BY TYPE

TABLE 13 CANADA AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 14 MEXICO AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 15 MEXICO AUDIO INTERFACE MARKET, BY TYPE

TABLE 16 MEXICO AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 17 EUROPE AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 18 EUROPE AUDIO INTERFACE MARKET, BY TYPE

TABLE 19 EUROPE AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 20 U.K. AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 21 U.K. AUDIO INTERFACE MARKET, BY TYPE

TABLE 22 U.K. AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 23 GERMANY AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 24 GERMANY AUDIO INTERFACE MARKET, BY TYPE

TABLE 25 GERMANY AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 26 FRANCE AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 27 FRANCE AUDIO INTERFACE MARKET, BY TYPE

TABLE 28 FRANCE AUDIO INTERFACE MARKET, BY APPLICATIONS

TABLE 29 ITALY AUDIO INTERFACE MARKET, BY COMPONENT

TABLE 30 ITALY AUDIO INTERFACE MARKET, BY TYPE

TABLE 31 ITALY AUDIO INTERFACE MARKET, BY APPLICATIONS

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