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It is also very helpful for hearing chords to deal with ear training. Under the links listed above, you will find exercises that will help you differentiate between major and minor chords. If that works well, you can include more complicated chords, such as seventh chords, in your ear training ritual, as well as chords that play a different tone than the root note in the bass. Each chord type has a specific color, and the more you train your hearing, the easier it will be for you to tell them apart. You can get very far to hear most of the pop and rock songs if you can distinguish the following chord types: click here: https://epicmusicla.com/

Major chords in which the third is replaced by the fourth (sus4) or a major second (sus2) are also widespread in pop music. This is because these chords are often easy to grasp on the guitar and can be used to bring some movement into the chord accompaniment. Mostly, sus4 and sus2 chords are broken down into the "normal" major triad shortly afterward. This is how chord patterns like this are created:

And something else can help you a lot when hearing chords: Even if the topic is often unpopular: the better you are familiar with music theory and harmony theory, the easier it is to hear chord sequences. Because you will quickly discover certain patterns and cadences that appear again and again. For example, if you know what an II-VI or I-VI-II-V connection is and what it sounds like, you can often recognize it when listening to a song before you really start listening.

In the following legendary video, the band "Axis of Awesome" impressively demonstrates how widespread certain chord sequences are in music. The sound of such a combination of three to four chords can be memorized as a whole and then recognized with a little practice when listening to a song.

But what is the best way to proceed if you don't find such a well-known and often heard structure? I have put together a few tips here:

What is the bass playing? The bass note in an arrangement, whether played by a bass, a cello, or a synthesizer, is in many cases the root of the overlying chord. However, there are exceptions: Sometimes the bass plays a different chord note (fifth, third), and many bass players incorporate in their bass lines nuances and embellishments that lead to the next chord. But if you pay attention to what the bass plays on the "1" of a bar, in many cases you are very close to correctly recognizing the chord.

Pay attention to the melody. The melody can also bring you closer to the right chord. Although melodies usually contain more "chord-alien" transition tones than basslines, the notes highlighted in the melody (eg emphasized beat times, long notes, emphasized syllables in a vocal melody) will in most cases consist of chord tones. This can be the root note, the third or the fifth of the chord, but naturally also more for more complicated chords.

Pay attention to the timbre of the chord. At best, you now have two chord tones if you know the bass and the melody. To find the remaining chord tones, you should pay attention to the timbre of the chord (and this is where ear training comes in again...). Is it a major or minor chord? If the chord sounds complex and multi-layered, there is probably a seventh, maybe other notes. The important thing is that all instruments and the vocals together form the chord that can be heard at any point in a piece - and not just the harmony instruments such as guitar or piano.

In this regard, be aware that you will never reach the genius of the very few who were lucky enough to be born with an absolute ear. http://epicmusicla.com